Free PDF Aaron Marks' Complete Guide to Game Audio: For Composers, Sound Designers, Musicians, and Game Developers
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Aaron Marks' Complete Guide to Game Audio: For Composers, Sound Designers, Musicians, and Game Developers
Free PDF Aaron Marks' Complete Guide to Game Audio: For Composers, Sound Designers, Musicians, and Game Developers
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About the Author
Aaron Marks has been active in the games industry as a game composer, sound designer, field recordist, voice over artist, audio director, author and consultant with credits on over 275 game titles. He has worked on most game platforms and systems for most major developers and publishers in the past 20 years. As the President and owner of On Your Mark Music Productions, Marks has also created music and sound design for film, television, radio, sound effects libraries and numerous multimedia projects as well as an independent musician and recording engineer. In addition to Aaron Marks’ Complete Guide to Game Audio, he is the lead author of the book Game Audio Development and has written for Game Developer Magazine, Gamasutra.com, designingsound.org, Music4Games.net, and the Society of Composers and Lyricists. For many years, he has authored and taught accredited college courses on game audio, interactive media, production sound, and field recording at The Art Institute of California – San Diego, was the chair and member of the Audio Engineering Society (AES) Technical Committee for Games, was a founding member, advisory board member and education committee vice chair for the Game Audio Network Guild (GANG) and has been a presenter and speaker at various industry seminars including the Game Developers Conference, Audio Engineering Society Game Audio Workshop, LA Music Productions game audio seminar and the Game Audio Network Guild workshops and panels, guest lecturer for the University of Michigan and Edinburgh Napier University game audio courses, among others and interviewed by Rode Microphones for the Rode Rage series.
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Product details
Paperback: 569 pages
Publisher: A K Peters/CRC Press; 3 edition (March 22, 2017)
Language: English
ISBN-10: 9781138795389
ISBN-13: 978-1138795389
ASIN: 1138795380
Product Dimensions:
6.8 x 1 x 9.8 inches
Shipping Weight: 2.5 pounds (View shipping rates and policies)
Average Customer Review:
3.9 out of 5 stars
29 customer reviews
Amazon Best Sellers Rank:
#1,123,961 in Books (See Top 100 in Books)
This book focuses more on the business side of game audio. If you are looking for a 'how to' guide for composing and sound design, this is not the book for you.However, for anyone interested in making a living by creating game audio content, this is a must read. Everything from networking, pricing your services, to standard contracts are covered. Of particular interest were the interviews throughout the book. Some more famous personalities, such as 'The Fat man' were interviewed, as well as some lesser known composers and sound designers. Some of them list what gear and software they use. I was surprised at both the spartan and the over the top set ups that some of these guys have.The disc that comes with the book has some very useful content. Perhaps the best was the demos provided. If you are serious about composing, listen to these demos, they will give you an idea of what skill level you will need if you want to get any jobs.Just a side note, at the end of the book Aaron suggests that you send him an email. I did, and got an encouraging response back from him. So he isn't just pretending to be a nice guy in the book, he really is!
There is a vast wealth of knowledge in this book which has proved incredibly useful for me. It covers everything from the process involved in game production to the business skills you will need to be successful not to mention what is required of a game audio professional. It also has a lot of interviews from working composers and sound designers who give very insightful information into how they became successful and their opinions on the industry, as well as the techniques they use. Note that it is not a guide on how to compose music, how to use DAW's, or detailed technical information on the physical process of recording. This is a book that covers the business side of the industry, from negotiating fees and salaries and gaining industry contracts to the legalities of writing for games and assumes a certain level of technical competency on the part of the reader.If you are remotely interested in making your way in the game audio industry, I would consider this book a "must have" for business research.
This book details everything from the very beginning of game audio in the 70s to today, it gives you history lessons, tips and tricks, software to recommend, has audio creator interviews and tons of cool things about game audio. I bought this for a game course I was taking and I did learn ALOT about game audio, it was also nice seeing how audio has changed from the 8 bit era to today.
This book has surprisingly little information in it for its size. Most of the chapters read like they are trying to use as many words as possible to say everything so they can stretch the book out. The information itself is mostly common sense information. Unfortunately I had to get it from class, and I'm sure that is the only reason it sells decently. Very little that we did in the course actually came from the book. It was more or less busy work to read the thing.
Mr. Marks uses an informative yet casual tone to keep you both interested and grinning as you turn from page to page. The information contained in this book is incredibly detailed and he gives a practical basis for all situations you could find yourself in, as well as some anecdotes, examples, and fun along the way. If only text books read like this...This book is definitely for someone who is interested in game audio of any level, regardless of if it's for the indie game or the AAA industry. It's best geared towards someone hoping to make a possible career out of music and sound for games and interested in learning what opportunities are available, as well as what the environment, pricing, and sorts of equipment in the industry are standard (although with the way technology is going, the tech part is getting outdated rapidly).
Marks provides a facinating peek inside the world of audio content development in the computer game industry. With a casual and friendly style, he covers a broad range of topics in his book, from basic equipment setup to negotiating contracts for freelance work (and much more, of course). Having recently become a freelancer myself, I found his advice both helpful and inspiring.All in all, this book bolsters Marks' credentials as a professional musician and businessman, and comes highly recommended to anyone interested in getting some excellent and no doubt hard-earned advice.
I bought this book on recommendation of a friend in the video game industry. Be away of what this book is and what it isn't. This is not a book on how to write audio for video games. This is an introductory book to audio and its role in the video game industry, and how to get into the industry. This book contains no technical information, as one might hope, about computer audio technologies such as Direct music or any others. If you already know how digital audio, MIDI, and mixers work then most of this book will bore you to tears. I have no doubt that, if you are looking for the information which is in this book it is good. The presentation is longwinded and very centered around the author rather than the topic itself it seems. At times, the book seems to lose all relevance to the audio industry. The interview with established video game artists are interesting, however I didn't find in them anything that I hadn't learned by playing around for a hours with recording techniques. In conclusion, there are better books on the market in all regards except for the video game audio industry notes. For that I have found no better source, however it is wrapped in information which I already know, and that I found nearly impossible to sit through.
This book WILL NOT teach you how to do anything. It's not instructional. It's more along the lines of composers talking about what they use and their success in the business. Which was basically what I needed to some degree.
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